Steph’s decision to explore stained-glass came from its heavy presence across Kingston, featured on some of the town’s historic buildings such as All Saints Church with its windows dating back to 1852. It is regarded as a resilient and historic medium, proven to stand the test of time. Steph’s engagement with stained-glass for this commission contributes to creating a permanent legacy within Kingston and to inspire future crafts within the community.
“Through my research I have found evidence of many crafts in Kingston, such as blacksmiths, breweries, fishing, farming sheep and cattle, weaving, spinning and stain glass itself.”
Stained-glass has since evolved as an artistic medium, with the craft being incorporated throughout various art movements since its regeneration in the 19th century. This includes abstractism, expressionism and post-modernist symbolism, which Steph draws inspiration from.
Steph is an advocate for the continual practise of ancient craft techniques and encourages others to learn from them, whilst considering how they may benefit us in the present day. Ancient techniques such as stained-glass brings forth an appreciation of craftmanship, along with the process of creating work that is unique and made by hand.
